The Private Museum is proud to present HER IMAGE, a group exhibition that explores the representation of women in photography and video, to commemorate the International Women’s Day in March. Held in conjunction with the symposium Ways of Knowing: Asian and Middle Eastern Women in Photographs, the exhibition will explore themes on “Women, memory and history”, “Women in daily life”, and “Women artists and photo-journalists”. HER IMAGE adopts a cross-disciplinary approach in attempt to create a dialogue about woman condition in the contemporary world, with a rare focus on Asia and Middle East. The artworks portray experiences of women influenced by their particular historical, socioeconomical, and religious environments, in private and public spaces of non-Western countries.
Artists Amanda Heng (Singapore), Zann Huizhen Huang (Singapore), Noor Iskandar (Singapore), Oh Soon-Hwa (Korea & Singapore), Min Kim Park (USA), Shelly Silver (USA), and Jesvin Yeo (Singapore) will present color photographs and video works, styled from traditional photo-journalism, postmodern documentary photographs and narrative film. These artists possess backgrounds in different disciplines and use photographs or videos of women as a research method, presenting various perspectives in the social and human sciences as well as in the humanities.
For more information on the symposium, please visit www.womeninphotographsymposium.com
In celebration of International Women’s Day and in conjunction with Singapore Design Week 2018, The Private Museum is pleased to present In Flux by New York-based Singaporean artist, Dr Wee Hong Ling, from 16 March to 6 May 2018. This solo exhibition follows the most recent development of Wee’s artistic practice, featuring three distinct series of ceramic works (Brooklyn, Moxie and My Family Portrait) and, importantly, the inaugural showcase of blacksmithing works by a Singaporean female artist.
Brooklyn is a series that acknowledges both Singapore and New York as Wee’s homes. From one island to another, Brooklyn references her mediation between continents and her abiding state of flux. By contrast, Moxie, a series of large vessels with daring cantilevers, engages the viewer to ruminate on the artist’s internal qualities of fortitude and persistence as requisites of creating sizable ceramic works.
In this exhibition, Wee also revisits My Family Portrait, the sole figurative sculpture from her body of work that has never been shown. In Flux presents her interpretations in clay and steel juxtaposed against the old childhood photograph.
For the second blacksmithing work, Heaven and Earth, Wee experiments with time and chance by exposing nine forged discs to the elements, including the first snow of winter in New York, to develop a skin of rust. Heaven and Earth, inspired by Chinese cosmology, can be seen as the artist paying homage to her mother tongue and heritage.
As a whole, In Flux is an artistic endeavour by Dr Wee Hong Ling to challenge perceptions and break social stereotypes. Personal and endearing, the works mirror her mindset regarding the continual state of uncertainty that she experiences in the physical, metaphysical and humanistic worlds.