As part of Singapore Art Week 2024, The Private Museum Singapore is delighted to present Chronic Compulsions: Selected Works from Art Addicts Anonymous, an exhibition showcasing the groundbreaking collaboration between a local private museum, private collectors and seasoned curators.
This unique exhibition marks the 10th anniversary of the formation of Art Addicts Anonymous—a collectors’ circle that has evolved from a casual gathering of art lovers into a strong community of collectors who want to share their passion for art with society at large.
Chronic Compulsions unveils a remarkable selection of over 40 modern and contemporary works from 15 participating collections from Singapore, each piece bearing a personal connection to its collector.
As we celebrate a decade of passion and purpose, this exhibition is testament to the timeless nature of art and its transformative power. It represents the synergies between The Private Museum, Art Addicts Anonymous, and the arts community, injecting value and vibrancy into the Singapore art scene.
The exhibition will be run from 11 January to 24 March 2024.
Download our exhibition leaflet for more information here.
Download our exhibition press release here.
The Private Museum (TPM) Singapore is delighted to present Rhythmic Resonance: A Collaboration Beyond Boundaries By Andy Yang & Ian de Souza showcasing works from Australian artist Ian de Souza and Singaporean artist Andy Yang.
This exhibition explores themes of collaboration, cultural exchange, and artistic cross-pollination, drawing from de Souza and Yang’s respective practices. Notably, their collaboration began during the pandemic when they exchanged and worked on a series of shared canvases between Singapore and Australia, forging an artistic connection without ever meeting in person. Upon the reopening of borders after the pandemic, Andy Yang’s visits to Fremantle in Perth, where Ian de Souza resides, marked significant turning points in their collaboration.
Their backgrounds in the world of music allowed them to appreciate the intricate interplay of rhythm and harmony. This musical connection echoed in their collaborative artistic process, where they approached their canvases like a dynamic composition, blending colours and brushstrokes like notes in a harmonious symphony.
Beyond their shared artistic interests, the two artists discovered an even deeper connection rooted in their common origins. Both Ian and Andy were born in Malaysia, which provided a profound sense of shared cultural heritage and identity.
Alongside the showcase of their respective artworks, the exhibition also features a series of unique collaborative artworks jointly created by both artists. Experience how meaningful exchanges can transform artistic practice, and be inspired by de Souza and Yang’s journey of collaboration, partnership, and creative growth.
The exhibition will be run from 2 November to 10 December 2023.
Download our exhibition leaflet for more information here.
Download our exhibition press release here.
The Private Museum presents an exhibition which showcases the Catholic High School’s special collection of paintings by the late local artist, Chua Ek Kay, who is an old boy of the school. He is known for his combination of both Eastern and Western art techniques and theories in his works. A special selection from the Catholic High School will be featured in this exhibition with subject matters ranging from traditional Chinese paintings of birds and flowers, to old buildings and abstractions which reflects the evolution of Ek Kay’s artistic practice. The highlight of this exhibition will be the display of four Chinese ink paintings of the former Catholic High School campus at 222 Queens Street, now 51 Waterloo Street. Coincidentally, this is where The Private Museum is currently located. Ek Kay painted these works in 2005 with the sole purpose of donating them to the school and its new campus in Bishan. Ek Kay donated more works to the school subsequently, totaling to an impressive number of twenty-five Chinese ink paintings.
The Private Museum presents an inaugural collaboration between two Singaporean artists, Chow Chee Yong and Tang Ling Nah, who cross paths for the first time. Chow juxtaposes different locations with a single shot, creating an ambiguous “Void” that exists only within the photograph. On the other hand, Tang suggests the extension of space through her charcoal drawings of the city’s transitory spaces such as “Void Decks”, corridors and underground passageways. This exhibition attempts to document two artists’ individual journeys as well as their collaborative interactions. We question what is real and what is imaginary; as the photograph becomes a drawing, and the drawing becomes a photograph…
In conjunction with Singapore Art Week, The Private Museum is proud to present Khoo Sui Hoe: An Overview Part II – The Patron, Datuk Seri Lim Chong Keat’s Collection from 1960s to 1980s. Drawing from the single largest collection of Khoo Sui Hoe, the exhibition showcases a selection of 16 significant paintings, honouring the friendship and patronage of the artist’s foremost patron, Datuk Seri Lim.
The collection traces Khoos’s earlier artistic career which spans the South East Asian Peninsula. It encompasses his unadulterated artistic explorations of landscapes and figures, which Datuk Seri Lim termed as “Inscape with Figures”; inspired by the rivers and rubber estates of his hometown, Kedah, the abstraction of mountains in Cameron Highlands and the composition of clouds in Thailand.
The highlight of the exhibition is Children of the Sun, Khoo’s first monumental painting which was commissioned for the Singapore Conference Hall in 1965. Marking the 50th year anniversary of its creation, the Children of the Sun returns to be exhibited in Singapore.
In celebration of Singapore’s 50th anniversary of independence, The Private Museum is proud to present Influences and Friendships: A Chua Ek Kay Estate Collection. This special body of works offers a glimpse into Chua Ek Kay’s lesser-known art collection of prominent artists and friends, with 21 artworks in Chinese ink and Calligraphy, Oil and Woodcarving that reflects the inspirations and artists that influenced Chua in his artistic practice.
Highlights include Huang Binhong’s landscape painting paying its homage to the 10th century painter Juran, one of the great Master artists of early Chinese monumental landscape paintings. Huang Binhong (1865 – 1955), a painter and art theorist, was one of Chua’s biggest influences. Inspired by the endless possibilities of ink, Chua fervently explored the extent of his brushworks. The collection of works traces Chua’s Shanghai School lineage from Wu Changshuo (1844-1927), Wang Ge Yi (1897-1988) and Fan Chang Tien (1907-1987), and a combination of monk artists, Lingnan School and Chua’s contemporaries.
Through the visions from these artists and friends, the viewer is able to reach into the window of his art practice. The intertwining of creativities from around the world allowed Chua to create his inimitable style that incorporates a balance of both Western and traditional.
The Private Museum (TPM) Singapore is pleased to present Search and Discover: The Joy of Collecting – Selections from the Yeap Lam Yang Collection. TPM revisits its foundation of bridging the private and the public in this year’s final and largest exhibition that forms part of the museum’s 10th anniversary programming, featuring an array of private collections in Singapore.
Co-curated by Aaron Teo and Beverly Yong, the exhibition features 65 carefully selected works by 35 artists from the Asia-Pacific region from the Yeap Lam Yang collection, spanning over three decades. While the works are categorically small—the exhibition’s curatorial theme intentionally limits the size of the works to 60 cm by 60 cm—there is nary a “smallness” in their significance. Each work is precious and treasured, each a symbolic step into the collector’s foray into the art world as a patron and supporter of the arts.
Search and Discover: The Joy of Collecting unravels the process of exhibition-making and reveals the joy of collecting; discovering and revisiting artists, a rekindling of old relationships, and a forging of new ones. Yeap Lam Yang’s apt reminder that “there is good art everywhere waiting to be uncovered” is an invitation to all viewers to chart their individual, personal journeys in search and discovery of art and artists, new and familiar.