Thoughts of Gulag is a solo exhibition by Singapore-based, British artist James Holdsworth. The show is supported by the United Nations Association (UNAS), and features 13 large oil paintings, together with charcoal & pastel drawings based on images taken from labour camps. Gulag is a term used to refer to the Soviet government agency that operated the forced labour and concentration camps during the communist era.

To Add a Meter to an Unknown Mountain: An Iconic Collection of Contemporary Chinese Photography features the works of four Chinese artists whose bold, conceptual art challenges the conservative society that they grew up in. As internationally renowned artists, CangXin, Ma Liuming, Liu Wei, and Zhan Wang are all important figures in the rising contemporary Chinese art scene that is taking the world by storm. In their respective styles, each of these contemporary Chinese artists expresses social critiques of the world as they see it. From the impermanent state of human actions to the harmony between nature and mankind, the photography in this exhibition highlights the relationships between man and nature, new and old, and modernity and tradition. In a rapidly urbanizing world, their work serves to capture significant moments of interaction between two starkly different worlds.

The Private Museum presents an exhibition which showcases the Catholic High School’s special collection of paintings by the late local artist, Chua Ek Kay, who is an old boy of the school. He is known for his combination of both Eastern and Western art techniques and theories in his works. A special selection from the Catholic High School will be featured in this exhibition with subject matters ranging from traditional Chinese paintings of birds and flowers, to old buildings and abstractions which reflects the evolution of Ek Kay’s artistic practice. The highlight of this exhibition will be the display of four Chinese ink paintings of the former Catholic High School campus at 222 Queens Street, now 51 Waterloo Street. Coincidentally, this is where The Private Museum is currently located. Ek Kay painted these works in 2005 with the sole purpose of donating them to the school and its new campus in Bishan. Ek Kay donated more works to the school subsequently, totaling to an impressive number of twenty-five Chinese ink paintings.

The Private Museum presents an inaugural collaboration between two Singaporean artists, Chow Chee Yong and Tang Ling Nah, who cross paths for the first time. Chow juxtaposes different locations with a single shot, creating an ambiguous “Void” that exists only within the photograph. On the other hand, Tang suggests the extension of space through her charcoal drawings of the city’s transitory spaces such as “Void Decks”, corridors and underground passageways. This exhibition attempts to document two artists’ individual journeys as well as their collaborative interactions. We question what is real and what is imaginary; as the photograph becomes a drawing, and the drawing becomes a photograph…

A primary essential element in calligraphy is time. What is time? I do not know. I only know eternity means that time no longer exists. Buddha is dead, Jesus is dead. Eventually all life form vanishes. Beings exist in the present, live and die between to be and not to be.

Fung Ming Chip, 2012

The Private Museum presents a special exhibition developed from the long-term relationship that began 15 years ago between Singapore-based collector, Christopher Franck, and Hong Kong-based artist, Fung Ming Chip. Franck’s collection of Fung’s works introduces the artist’s early experimentation with the medium of traditional Chinese calligraphy. The large-scale site-specific conceptual installation of his Chan & Heart Sutra Series is a development of Fung’s recurring theme of Heart Sutra in his earlier works. Fung’s latest work is a result of transforming an established art form into an entirely new style that challenges the values which shape human behavior and perception. In his continuous search of what calligraphy is, Fung pushes the boundaries of the medium and explores the element of time.

The Private Museum is proud to present Lim Tze Peng: A Private Collection, a special exhibition that developed from the long-term friendship between collector Daniel Teo and artist Lim Tze Peng. This solo exhibition of Singapore’s renowned artist, featuring artworks from Teo’s private collection, encompasses Lim’s early as well as recent works. A selection of sixteen paintings from Teo’s collection of twenty-seven artworks will feature Lim’s Bali Series, Singapore Street Scene Series, Calligraphy Series, and Still Life Series. The significant Nanyang Style, which was used distinctively by artists in Singapore’s early art scene, is apparent in Lim’s early Chinese ink paintings. The highlight is a recent large-scale painting of the Singapore River, spanning more than 3 metres wide. Lim Tze Peng: A Private Collection also showcases an oil painting which was a gift from Lim to the Teo family, underlining the special relationship shared between the Collector and the Artist.

The Private Museum is proud to present The Loss Index: Perishables and other Miscellanea by Singaporean artist, Ye Shufang, following the success of her previous exhibition, The Happiness Index, here in 2011. Shufang has created a series of new watercolour drawings and will also re-present her internationally-renowned agar-agar installations for the last time.

With an ongoing research focus on the ephemeral and the ‘ready-made’ from her 17 years of art practice, Shufang’s current series of drawings are an attempt to measure, categorise and understand a miscellany of vast infinite items, from baking moulds to emotions, classified in a system using grids, circles and colour spectrums. In her past artworks, the study of and the attempt to measure and record the impermanent are manifested in installations that adopt basic processes, ephemeral materials and ready-mades. Aside from the 2 new presentations of her past agar-agar installations, Shufang will also be showing an agar-agar and rubber strips installation for the first time.

The Private Museum presents ZUL: SONICALLY EXPOSED, a new body of works created over the past 3 years since ZUL’s last solo exhibition in 2010. The established Singaporean sound artist will be presenting nine sound-reliefs, four sound sculptures, a sound installation and sketches, which are part of his working process, for the first time.

ZUL was formally trained as a sculptor and ventured into sound in 2006, creating multi-disciplinary works that combine visual and sound. He has conceptualized sound installations that define the denuded sense that few dare to explore. The artworks are bare; fixated on the amorphous medium produced. Each artwork also produces a different experience with the integration of the audience.

The Private Museum presents Khoo Sui Hoe: An Overview Part I – The Artist Collection from 1980s to Present, the first of a two-part major exhibition of the Malaysian painter, Khoo Sui Hoe. Known for his inimitable surrealistic stylisation of masks, figures and landscapes, this selection comprises of 25 paintings from the Artist’s private collection.

A former graduate from the Nanyang Academy of Fine Arts in 1961, Khoo was under the tutelage of Cheong Soo Pieng and Georgette Chen. Following his move from Malaysia to the West in 1982, this collection portrays Khoo’s evolving artistic practice and development which spans Singapore, Malaysia and United States.

This exhibition will continue to Khoo Sui Hoe: An Overview Part II – The Patron, Datuk Seri Lim Chong Keat’s Collection which consists of Khoo’s earlier works from the 1960s to 1980s. Highlights include significant works presented from the Patron’s perspective, including Children of the Sun as collected by distinguished collector and lifelong friend.

The Private Museum is proud to present Hong Zhu An: Pure Heart – A Bali Purnati Foundation Artist Residency by internationally-renowned Singaporean artist, Hong Zhu An. The exhibition features a selection of 15 new works from a series inspired by Hong’s recent Artist Residency in Bali at the Yayasan Bali Purnati | The Bali Purnati Centre For The Arts. This residency marks his second and most significant visit to Bali since his first trip more than 10 years ago. Through this residency, Hong  immersed in the tranquil nature and travelled through the rich textures of landscapes with road trips and site visits around the Northern, Southern and Eastern Bali.

Hong’s stay at the Bali Purnati – translated as Pure Heart, was a journey of self-awareness and introspection that led him to create this new series of inward and outward journey of Bali. The highlights of this exhibition are inspired by site visits to see Kokokan birds (herons) at Petulu Village, water palace at Taman Tirta Gangga, lotus ponds at Taman Saraswati Temple, cliffs at Uluwatu, walls on rock-cut shrines at Gunang Kawi, historical villages at Tenganan Village and temples such as Pura Besakih. This new body of works give insights to Hong’s experience in Bali that left an impact on him.

The Private Museum is proud to present Han Sai Por: Secret Landscapes – A Bali Purnati Artist Residency by one of Singapore’s leading sculptors and cultural medallion recipient, Han Sai Por. The exhibition marks the museum’s second collaboration with Yayasan Bali Purnati, as well as the artist’s inaugural solo acrylic-medium focused exhibition.

Nature has been always one of Han’s core influences in her practice. With vigour and tenacity, she immersed herself in the rich textures of natural landscapes and traversed in the untamed terrains of the mystical Indonesian island of Bali. Han’s new body of works captures the essence of Balinese topography—allowing the viewer to delve into the depth of her art practice.

The highlights of the exhibition include artistic interpretations of various geographical visits: the volcanic regions of Mount Batur and Mount Agung, the pristine beaches of Amed, Ketewel and Bias Tugel, the crashing waves of Water Blow Nusa Dua, and the expansive rice terraces of Jatiluwih.

The Private Museum is proud to present LINES, a group exhibition which celebrates the museum’s new initiative, the emerging artist platform to support and encourage the development of emerging artistic talents in Singapore.

A manifestation of ongoing conversations between the 8 emerging artists and the curators, LINES features painting, print-making, photography, video art and installation. While exploring the idea of distinctions, the spoken exchanges probe into themes of cultural ideologies, social landscapes, identities and the human psyche. The exhibition encapsulates the nuances of the artists’ thoughts and processes through their works.

Featuring new works by Ben Yap, Brenn Tan, Izzy Tan, Jackson Kang, Odelia Tang, Quinn Lum, Rafi Abdullah and Tristan Lim.

In collaboration with
Mike Bode
Young-hae Chang Heavy Industries
Charles Lim Yi Yong
John Miller
Keiichi Miyagawa
Aura Rosenberg

The Private Museum is proud to present Takuji Kogo: *CANDY FACTORY PROJECTS 2017.

*CANDY FACTORY PROJECTS is a Japanese-based platform for international collaborative art projects led by visual artist and curator, Takuji Kogo. It is mobile; continuously relocating its office into different institutions, organising curatorial projects, exhibitions, web projects and publications.

The exhibition features a selection of video works and sculptural installations by internationally acclaimed artists including Takuji Kogo (Japan), Young-hae Chang Heavy Industries (South Korea), Mike Bode (Sweden), John Miller (USA), Charles Lim Yi Yong (Singapore), Keiichi Miyagawa (Japan) and Aura Rosenberg (USA). Research conducted by the artists probed into the relationship and consequentiality of national borders across different countries.

During Kogo’s one-month artist visit in Singapore, his latest work titled, Singaporean Arcade will see new development and will be introduced at the exhibition’s screening event. The new work is an exploration into the multi-linguistic environment of Singapore through the artist’s perspective. From 2016-2019, *CANDY FACTORY PROJECTS will be touring different venues in Asia and Europe including the Aichi Triennial (Japan), The Private Museum (Singapore), the ZKU (Berlin) and more.

The Private Museum is pleased to present You, Other; I, Another, a group exhibition curated by Dr Susie Lingham. This marks The Private Museum’s new initiative in collaborating with Guest Curators to facilitate and support independent and experimental curatorial practice, and to present different perspectives on our world. The exhibition will feature works by nine artists including Regina De Rozario, Mithun Jayaram, Mumtaz Maricar, Siew Kee Liong, Leroy Sofyan, Vincent Twardzik Ching, Victor Emmanuel, Susie Wong and Yeo Chee Kiong.

Relation is reciprocity. My You acts on me as I act on it. […] Inscrutably involved, we live in the currents of universal reciprocity. *

To and from every I there is a You, a They, a We, an Us, an Other. To whom is another, Other? Or is it more precise to say: when is the other Other to another? Otherness is an oscillation; is in oscillation. The binary-dynamic of finding the self in the other has always been tipped at moments, and shifts to finding the other in the self—recognising difference within oneself is ongoing, and unnerving, for every ‘I’.

Within the structures of any society, how is the other conditioned into being ‘Other’? How is otherness represented? Who represents otherness? In what way do we feel ‘other’, and how do we feel for and with ‘the other’ who differs from our self-sensed otherness? The Other demarcates the line of belonging; what we identify against.

The Other fascinates; confounds; is feared and rejected; is reviled; is ignored, dismissed; is mistreated, marginalised, alienated; is tolerated. Then again, some specimens of otherness are denied even ‘existence’ because quite anomalous, and uncategorisable: perhaps the Other is a Hydra, not a community.

Otherness differentiates on a spectrum of ‘difference’—in kind, by degree, by decree, by choice, inevitably. In You, Other; I, Another, nine artists’ works diverge off various individual realities of lived Otherness, or concepts of difference—expressed in diverse materialities and modes. From the rhythms of the natural world to the measures of culture and custom, and stemming from the personal, the familial to societal—all manner of Other manifest here reciprocally, “inscrutably involved.”

___________________________________________________ * Martin Buber, I and Thou, trans. Walter Kaufmann (New York: Touchstone, 1996), p 67.

The Private Museum is pleased to present Echoing Fragments by Singaporean abstract collage artist and painter, Lim Tiong Ghee. This exhibition marks the first venture by the museum to send a Singaporean artist to Yogyakarta under its Artist-in-Residence programme. This two-week trip to Yogyakarta was part of an ‘Artist Visit’ supported by Cemeti – Institute for Art and Society.

In the course of Lim’s travels, he visited cultural monuments such as the famous sacred temples, Borobudur and Prambanan, now commemorated as UNESCO World Heritage sites. In addition, his sojourn in Yogyakarta’s thriving artist community yielded many exchanges with the artist studios and art spaces. The batik craft centres and museums in the cities of Solo and Yogyakarta were key locales during his short tarriance in Indonesia.

This exhibition features a body of collage paintings that is part of a decades-long exploration of imprinting his personal experiences into collages. In the brief two weeks of his visit, the collage artworks birthed from the journey emphasises on the batik elements’ interaction with floral motifs, weaving what appears to be the cultural and the physical into a realm of its own through the use of negative space never before seen in his works. The luminous projection of colours present in these works also reflects the envelopment of warmth in the Indonesian atmosphere.

Yogyakarta is known for its significance in Buddhist and Hindu kingdoms, with Borobudur and Prambanan standing testament to the rich cultural narratives surrounding the province. Not disregarding the prolific symbolisms present in both beliefs, Lim’s works further expound on various forms, figures and textures commonly depicted as religious motifs in the two beliefs.

The body of works presented here is the culmination of Lim’s interactions with the culture and people of Yogyakarta and Solo as well as his own introspection of the differing essences between his homeland and its neighbour. Immersed in the social landscape of Indonesian culture, Lim melds his feelings in reciprocation to the aura of amiability encountered throughout the trip, expressing it as a continuum in Echoing Fragments.

In commemoration of the 5th anniversary of the passing of late Singaporean artist, Teng Nee Cheong (b. 1951-d. 2013), The Private Museum is pleased to present EMBODIMENT|SENTIENCE, featuring a selection of charcoal works between the 1970s and the 2000s—from the collection of the Artist’s Estate.

A Nanyang Academy of Fine Arts graduate and recipient of the Ministry of Culture Special Award in 1978, Teng is known for his distinct visual aesthetics in the use of vibrant colours and Southeast Asian cultural motifs, drawing symbols from spiritual faiths such as Buddhism, Hinduism and even Balinese mythology.

Renowned for his impressive oil and pastel paintings, Teng’s intimate charcoal works have hardly been in the limelight, much less exhibited comprehensively. Far from just preliminary sketches, this exhibition marks the first extensive showcase of the artist’s charcoal drawings—a result of more than three decades of working with life models in his studio and abroad.

The exhibition explores themes such as dualities, sensualities, desires and perceptions of the human body through the artist’s inquisitive lens and the stark lines encapsulated by the alluring nudes. Deeply-personal and perhaps even provocative, EMBODIMENT | SENTIENCE attempts to lightly trace Teng’s art practice compelled by his fascination with and reverence for, the human figure.

The Private Museum (TPM) Singapore is pleased to present Repeat, Repeat, Repeat; revising the phenomenon of printing—a group exhibition curated by Zaki Razak. This marks the second edition of the TPM Guest Curator series—collaborating with Guest Curators to facilitate and support independent and experimental curatorial practice, and to present different perspectives on our world. The exhibition will feature works by seven artists including Miguel Chew, Weixin Chong, Mona Choo, Urich Lau, Nadia Oh, Shin-Young Park, and Yeo Shih Yun.

There have been numerous exhibitions based on traditional printing methods and the expanded practice of artists who adopted painterly approaches; explored a certain degree of experimentation; challenged the convention in what is permissible; and demonstrated sophisticated control of process. What seems more substantial is the repeating pattern of thematic exhibitions, which emphasized on the possibilities of print. There seems to be a similar sentiment towards an often-repeated source, the rockstar of printmaking, Albrecht Dürer. His works are the first to be considered the most refined and celebrated due to their meticulous and dynamic forms which never fail to feed on our sight.

One definite consensus made is not to realise a medium-based approach exhibition but to break open the closed system of perception of printmaking and to instil a point of discussion on the phenomenon of printing; responding to the essence of the tradition or the emergence of the mechanism of multiplication and repetition; the context of its evolution and revolution; and what its consequences are in this day and age. The artists’ visual responses in forms and formation are meant to be symbolic visual cues to the journey of printing towards a knowledgeable ascent—to bring a certain degree of consciousness. What was before and after the invention of the Gutenberg printing machine and how did printed matter change or affect the human condition?

“Building, structure, edifice. Home, office, organisation. Community, city, country. Shelter, safety, comfort. Identity, memory, history. 99-year lease, freehold, 3+3+3, Master Plan.”

The Private Museum Singapore (TPM) is pleased to present 3+3+3: On Condition—a group exhibition curated by Andrea Fam. This marks the third edition of TPM’s Guest Curator Platform—collaborating with guest curators to support and experiment with independent curatorial practice through the presentation of different perspectives of our world. This interdisciplinary exhibition will feature both new and ongoing works by five artists and architects including artist duo Finbarr Fallon & Claire Goh, Geraldine Kang, Michael Lee, Mervin Loh and Isabella Teng Yen Lin.

Our governing bodies, architects, invisible labour, civilians, new and temporary residents have seamlessly infused their own histories and intimate memories into the foundational and poignant blueprints of our small island nation. Borrowing its namesake from the commercial lease agreement under the Singapore Land Authority (SLA), 3+3+3 explores these unseen psycho-spatial associations and the complexities of our urban planning while musing on the ephemeral nature of space and place-making in our land-scarce city.

Through preparatory sketches, utopian models, performative engagements and satirical ‘white papers’, this exhibition is an open-ended invitation to reflect on our ever-evolving relationships with our urban environment. Engaging our different senses, these works contemplate notions of nostalgia and transience while considering the overlooked inhabitants of Singapore.

Having served as an independent arts platform for the past 11 years, 3+3+3 marks TPM’s last exhibition in our home at 51 Waterloo Street. Such is the life of built spaces in our metropolis—though they bestow us with character, identity and heritage, we confer them with impermanence and dispensability, provocating the question, “If buildings retain the lived histories imbued into them, shouldn’t we consider their embodied human spirit?”